......Beyond
the gate,
......The
garden gate
......Fixed
among the creepers
......Vesseling
the back stone wall,
......Beyond,
through tangled weeds and saplings,
......Through
beds of nettles and opaque thickets
......Lining
the periphery...
......Just
beyond the threshold
......Of
that you now call home --
......That
which you have walked and rewalked,
......Pruned
and proliferated --
......In
the back, deep in the haze,
......Behind
the rows and spaces,
......Where
the growth presses in
......Upon
the lattice of the gate,
......The
inflection point...
......Toward
that to which we grow
......Distant
in the drone of leaves
......As
far-faced children,
......Blessed
heliotropes,
......With
deep miasma eyes
......And
endless sighs,
......Who
work so hard, so long,
......Our
voices echoing
......Like
the vast engines of night trains
......Hurtling
through unchecked space,
......Never
knowing yet one blink,
......A
nudge of the latch,
......And
we are through --
......There
I will be.
......You
know me.
......I
am a world
......Of
unspeakable peace and security,
......Indescribable
beauty,
......Pleasure
that passeth understanding.
......I
am a world where worries over
......Work,
money, conflict
......Are
but a distant dream,
......Things
seldom recalled.
......I
am a world where all lost loves are found,
......Where
the heart settles in,
......Where
we gather all at last,
......Together,
laughing,
......Feasting
at the banquet of the great reunion
......The
great wedding,
......On
the first warm afternoon of spring,
......Perpetual.
......You
think you almost see me now
......Sometimes,
......Never
realizing
......There
I am
......Always
clear before you
......In
the twilight
......Of
the brilliant here and now.
THE
INFLECTION POINT
They
say the sky is bigger in Colorado. It's true. The mountains
produce this effect. They provide the otherwise featureless
infinity of the sky with a scale, a sense of dimension not
found on the flatlands. As my eyes followed the chain of massive
peaks north along the Front Range, the mountains became invisible
in the glare.
I
sighed. It was a gorgeous summer solstice in Colorado. The
winds were soft, the skies clear as glass, and there were no
signs of an incoming front. After a long winter's wait, finally,
conditions were perfect to camp high in the mountains. I loaded
the car with backpacking equipment and three enthusiastic golden
retrievers. Threading my way along the dizzying gravel switchbacks
that wound up the back side of the mountain, I arrived at the
pass at 11,200 feet. Parking several hundred feet below the
ridge, I hiked a steep trail through flowering alpine tundra
to the very top of the divide and pitched the tent.
The
view was spectacular in the summer dusk. To the west, an array
of mountain ranges receded blue into blue until the eye lost
track, the mind unable to interpret the distances, the impossible
perspective arrayed before it. To the east lay the cities of
Boulder and Denver, their billion points of light gleaming
in microscopic splendor, a vast sea of prairie rolling away
behind them in the haze for hundreds of miles.
Such
is the vantage point of the Continental Divide. Here all precipitation
landing on the eastern side of the ridge flows east to the
tributaries of the Arkansas River and eventually makes its
way to the Atlantic Ocean. All precipitation falling on the
western side of the ridge flows down to the Colorado River,
eventually emptying into the Pacific Ocean.
I
needed water to prepare my camp food. The snow-covered cap
of a small glacier lay only a few feet away. I scooped handfuls
of granular summer snow into a pan and began to melt it with
my propane stove. As I swirled the slurry gently, a few ounces
suddenly sloshed over the rim and landed on a sharp piece of
granite at my feet. As I continued to heat the remaining water,
I contemplated the tiny rivulets that ran down the edges of
the stone with fascination.
In
theory, the drops that landed on the eastern side of the rock
would end up in the Atlantic Ocean, while the drops that landed
on the other side would end up in the Pacific Ocean. Although
hard to believe, the difference of a fraction of an inch here
at the point of origin, would eventually result in the difference
of an entire ocean - an entire world.
It's
funny, but that's how cause and effect is: The difference in
one step, one choice, one word, one little thoughtform at the
point of origin can make a literal world of difference as the
flow sweeps us downstream, inexorably amplifying our intent.
*****
Although
you may not realize it, every moment of your life you are balanced
on your own Continental Divide. Each second of your life, you
walk along a precipitous ridge, a knife edge that divides your
life into two entirely different potential dimensions. On one
side lies the world you live in now, the world of ordinary
struggle and uncertainty. On the other side, stretching away
in all its majesty, lies the world of self-empowerment, the
world of self-creation -- the dimension of the miraculous,
where dreams unfold with perfect precision.
On
this side lies heaven.
Each
moment as you walk this ridge that is your life, you make a
choice. Whether you are aware of it or not, each moment you
choose to pour the water of your thoughts down one side or
the other. You either choose to sow thoughts of uncertainty,
conflict, and lack, or you choose to sow thoughts of fulfillment,
happiness, and ease - visions of intentional, positive creation.
In the most practical sense possible, you choose each second
to either remain in the dimension of the ordinary or to enter
the dimension of the miraculous.
And,
as you continue walking the razor's edge of your existence,
the thoughts you sow flow down the sides of the great slopes
of cause and effect, gaining momentum, snowballing, expanding,
until they inevitably crest at the critical threshold of manifestation
and become the personal reality you see around you.
THE
ANCIENT MOTIF
It
makes a great story. In fact, it follows a motif used by storytellers
for eons; a plot that reappears perennially and is found yet
today in hit movies and best-selling books. It goes like this:
There is strife, trouble, a great need. A secret document is
found - it could be a treasure map, a lost formula or text,
instructions for a special ritual, or perhaps directions to
an ancient tomb laden with fabulous riches.
The
document is ancient, enigmatic, and mysterious. The message
it carries is difficult to unravel, but is finally deciphered.
Ultimately, as the story progresses, the directions within
the document are followed, and a miraculous discovery is made.
Great wealth or power or good fortune are finally achieved.
The protagonist's problems are solved and everyone lives happily
ever after.
Like
I say, it makes a great story. But when this motif actually
unfolds before you in your life, it's even better.
*****
What
would you say if I were to tell you that I can show you a real
secret document, a real treasure map? In keeping with the motif,
this document is ancient -- hidden away for years. It is enigmatic
and mysterious. It is a kind of map which, if followed carefully,
will lead you to a great treasure, to a new world filled with
incredible people, places, and things. It will lead to riches,
real riches -- beyond your wildest dreams.
As
a reasonable person, you may question that such a document
exists. You will say that finding such a document can't happen
to real people living in the real world. In fact, if you did
not express this kind of reasonable skepticism, I would be
disappointed. For such a reaction is normal, the mark of someone
who is thinking clearly. Nonetheless, as the book unfolds,
I think you will find that the words do, in fact, reveal a
real treasure -- the technique of miracles, the Philosopher's
Stone, the catalyst sought throughout the ages that transmutes
base into gold, darkness into light, and suffering into joy.
THE
HIDDEN MONOLITH
In
the late Stanley Kubrick's landmark movie, 2001, explorers
on the dark side of the moon find an enigmatic black monolith
buried curiously beneath the surface. Eventually, this mysterious
object turns out to be a door, a stargate leading to a higher
dimension. The unspoken implication is that the featureless
rectangle was placed on the moon -- rather than Earth -- deliberately,
so that it could not be found by human beings until we had
reached a sufficiently advanced state of evolution, until we
were able to handle the power contained within.
Obviously,
the monolith is a metaphor, a symbol that represents higher
knowledge, knowledge that leads to an entirely new realm of
wisdom and light. It is a very appropriate metaphor as well,
for as the world now actually enters the year 2001, we are
each finding our own monoliths, our own stargates that will
enable us to enter new dimensions of understanding and personal
power. The powerful document revealed in this book - a text
I call the "Alpha Passage" -- has been just such
a gate for me.
As
you study it carefully and follow its directions, I feel certain
it will become just such a gate for you as well. It is entirely
possible that this passage has been encrypted for much the
same reason the monolith was hidden in the movie. If made too
obvious, it would have fallen into your hands too early to
be properly appreciated and put to practical use. It seems
entirely possible that Spirit wanted to ensure that you would
find the technique now, when your state of evolution has reached
a sufficiently advanced level.
THE
ALPHA PASSAGE
The
Alpha Passage was hidden in such an obvious place, that it
has been overlooked. It lies within a well-known section of
the gospel of Matthew. There, the author of the original composition
has embedded a subtext within the subtleties of the ancient
and extraordinarily complex words of the original Greek. In
this subtext, the technique of miracles is laid out in twelve
steps, twelve conditions.
When
these twelve conditions are activated, they act as a kind of
door which opens into the dimension of the miraculous. Using
standard reference books, this book will show you word for
word how the technique has been encoded within the original
text.
You
may be surprised to learn that you are already working with
many of these conditions and are familiar with the concepts
behind them. Once you see them laid out all together in an
organized fashion, you will finally be able to put all the
pieces together.
Once
assembled, these conditions form a kind of engine with twelve
cylinders. When all twelve cylinders fire together, the power
they generate is beyond comprehension. It is a power that can
change your life so drastically that you cannot - in your current
state of evolution - imagine the universe that will open for
you. You will see that you have the power to manifest heaven
in your life here and now.
THE
NEANDERTHAL ECLIPSE
Miracles
are poorly understood. Often we think of them as events in
which the laws of the universe, the laws of cause and effect,
are somehow circumvented. A miracle occurs when something "impossible" happens.
We believe this about miraculous events only because we fail
to understand the processes of cause and effect that enable
them. We are very much like Neanderthals observing an eclipse.
Because we lack the proper knowledge, we rationalize what we
observe in peculiar, supernatural terms when, in fact, what
transpires has an entirely natural explanation.
Consider:
If we did not understand the genetic and molecular fundamentals
of life, we would think the simple germination of a seed was
somehow supernatural as well. But we understand that for a
seed to germinate, certain conditions must be present: A viable
seed, moisture, warmth, soil, oxygen, carbon dioxide, nitrogen,
trace elements, alternating darkness and light, the proper
pH, and time.
When
all of the conditions are established simultaneously, the cellular
machinery of the dormant seed is activated; it begins to absorb
and organize the raw materials around it, and growth occurs.
In time, as the conditions are maintained, the seedling matures
into an enormous tree which bears tremendous quantities of
fruit. The process is a "miracle" certainly, yet
it follows natural sequences of cause and effect.
THE
DEMONSTRATION AND THE DEMONSTRATOR
Several
years ago I began studying the account of the miracle of the
loaves and fishes in the Gospel of Matthew (Matt. 14:13-23).
Scholars have long suspected there was something unique about
the miracle of the loaves and fishes. Of all the miracles attributed
to the man known in the Bible as Jesus of Nazareth, this is
the only one included in all four gospels. Further, it is a
miracle that Jesus, as the demonstrator, performed not once,
but twice -- on another occasion four thousand people were
fed in much the same manner (Matt. 15:32-39). It was as if
the demonstrator of the miracle was saying "Watch carefully
and make no mistake. I will show this carefully for all to
see, and repeat it -- so that you will see how to do this for
yourselves." And would we not expect this? The demonstrator,
and others like him, have always said that others "would
do even greater things." Is it not logical that a master
miracle worker would not only perform the miracle, but also
show us how to do it ourselves? Every wise person knows that
it is good to feed a hungry person a fish, but far better to
show the person how to fish. Would we not expect to find a
lesson somewhere in the teachings that gives specific instructions
for the technique of manifestation that is demonstrated so
well on this and other occasions? With this in mind, I looked
hard at the words in Matthew's account and thought about them
for days. But as I studied the miracle carefully, I found few
clues as to the method behind the miracle. The standard King
James Version seems little more than a sketchy description:
13
When Jesus heard of it, he departed thence by ship into a
desert place apart: And when the people had heard thereof,
they followed him on foot out of the cities.
14
And Jesus went forth, and saw a great multitude, and was
moved with compassion toward them, and he healed their sick.
15
And when it was evening, his disciples came to him, saying, "This
is a desert place, and the time is now past; send the multitude
away, that they may go into the villages, and buy themselves
victuals."
16
But Jesus said unto them, "THEY NEED NOT DEPART; GIVE
YE THEM TO EAT."
17
And they say unto him, "We have here but five loaves,
and two fishes."
18
He said, "BRING THEM HITHER TO ME."
19
And he commanded the multitude to sit down on the grass,
and took the five loaves, and the two fishes, and looking
up to heaven, he blessed, and brake, and gave the loaves
to his disciples, and the disciples to the multitude.
20
And they did all eat, and were filled: And they took up of
the fragments that remained twelve baskets full.
21
And they that had eaten were about five thousand men, beside
women and children.
22
And straightaway Jesus constrained his disciples to get into
a ship, and to go before him unto the other side, while he
sent the multitudes away.
23
And when he had sent the multitudes away, he went up into
a mountain apart to pray: and when the evening was come,
he was there alone.
Pouring
over these words, I felt as though I had reached a barrier.
Nothing conclusive was gained. Then came my big break: In a
final attempt to glean all possible information contained within
the text, I began to translate the passage for myself using
the original Greek words which the author of Matthew used to
craft the manuscript.
It
was a fascinating and somewhat frustrating process, for Greek
does not translate readily into English. In fact, it would
be accurate to say that translating Greek is a rather tricky
and difficult matter, requiring careful attention to detail,
as well as deference and respect for the original author's
intent.
Greek
is a particularly deep and complex language. It is the language
of one of the most sophisticated cultures in history, a language
developed and used by philosophical geniuses like Plato and
Socrates and Aristotle. It is the language of an ancient civilization
-- and a way of thinking -- separated from us in time by thousands
of years.
The
words of this ancient language can contain multiple layers
of highly subtle innuendo. Even trained scholars struggle over
translation details. To better grasp this critical point, consider
the first phrase in the first sentence of the Gospel of John,
which is traditionally translated, "In the beginning was
the Word...." If you research this phrase, you will find
that the original Greek says "In the beginning was the
logos." Although traditional translations such as the
King James Version contain no hint whatsoever of the depth
of the term logos, a quick look at a standard Greek to English
dictionary -- such as the one found in Strong's Concordance
-- reveals the following.
logos,
log'-os; from 3004; something said (including the thought);
by impl. a topic (subject of discourse), also reasoning (the
mental faculty) or motive; by extens. a computation; spec.
(with the art. in John) the Divine Expression (i.e. Christ):-account,
cause, communication, x concerning, doctrine, fame, x have
to do, intent, matter, mouth, preaching, question, reason,
+ reckon, remove, say (-ing), shew, x speaker, speech, talk,
thing, + none of these things move me, tidings, treatise,
utterance, word, work.
It
is interesting to note that the term "word" is listed
at the very end of this maze of complex information, almost
as an afterthought. And yet for reasons that are entirely unclear,
medieval scholars somehow deemed it appropriate to "simplify" translation
to this single term.
Now,
as confusing and ambiguous as the information in Strong's Concordance
may be, things only become more complicated with deeper study.
If you look up the term logos in Eliade's Encyclopedia of Religion
and Philosophy you will find that there are a full twelve pages
on this term. At its most superficial level, logos can refer
to a spoken or written word. But more importantly, logos refers
to that which gives rise to words, which is, of course, thought.
Further, logos can refer to the creative cause-and-effect relationship
between thoughts and words, and more generally, to the creative
power of thoughts to manifest events and circumstances.
Thus,
the phrase in John could be better translated, "In the
beginning was a thought with powerful potential, a creative
intent that ultimately gave rise to the entire universe." Logos
was a critical philosophical term used six hundred years before
the advent of Christianity by the philosopher Heraclitis. Heraclitis
believed that all that manifested in the universe was the direct
result of interactions between the great opposites, light and
dark, male and female, hot and cold - an ideology strikingly
similar to Taoism. The way in which Heraclitis defined logos
was incorporated into the substrate of the Greek language.
Subsequent use of this term was never completely free of his
influence. John almost certainly knew this when writing his
gospel. But in the standard Biblical translation, you have
been told only that logos means "word." Can you begin
to see how much you might be missing as you read other passages
in standard translations? As you will find in the pages that
follow, the same depth applies to many of the terms Matthew
used to write the Alpha Passage. As we dissect and study these
terms carefully in the following pages, I am confident you
will agree that the Alpha Passage contains a wealth of information
on the actual technique used to set up and enact the miracle.
This is information that is highly practical, information that
you can begin to use now to enact your own miracle and enter
the dimension of heaven. Dr. Michael, Michael The Twelve Conditions
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